Jupiter Apple – Net Worth 2023, Age, Height, Bio, Birthday, Wiki!

Biography

Flávio Basso was born in Porto Alegre, Rio Grande do Sul, on January 26, 1968; his father was a physicist and his mother a coach of German descent. He realized by himself to play the classical guitar when he was 13 years old, and cites Paul McCartney, Syd Barrett, John Lennon, Bob Dylan, Mick Jagger and Brian Jones as a number of of his influences. In 1984 he formed the rockabilly band TNT alongside his childhood associates Márcio Petracco, Felipe Jotz and Charles Master, being later joined by Nei Van Soria. TNT reached nationwide notoriety after their songs “Entra Nessa” and “Estou na Mão” had been included throughout the 1985 compilation Rock Grande do Sul, made to promote rock bands from Rio Grande do Sul (similar to Engenheiros do Hawaii, Os Replicantes, DeFalla and Garotos da Rua) and launched by RCA Records. In 1986, one 12 months sooner than TNT launched their first studio album, Van Soria and Basso left the band as a consequence of creative divergences with RCA to kind their very personal mission, Os Cascavelletes, which, no matter its comparatively fast lifespan, managed to launch one EP, one studio album and a demo. They self-described their irreverent mannequin, characterised by comical and intently sexually specific lyrics, as “porno rock”. The band’s most effectively-identified composition was the 1989 hit “Nêga Bombom”, featured throughout the soundtrack of the telenovela Top Model. Hisscivilization, his third album, was launched shortly afterwards by Voiceprint Records, and was his most formidable and elaborate work; it is composed of 13 largely instrumental tracks, the longest of which opens the album and is over 11 minutes prolonged. Basso experimented further with digital music elements on this album, what polarized critics and followers alike. In 2003 he moved to Europe as quickly as as soon as extra – this time to Spain – alongside his then-residence confederate Bibiana “Bibmo” Morena to work on extra supplies; after a 4-12 months hiatus, every returned to Brazil and he launched alongside her the collaborative album Bitter via Monstro Discos. Through Elefant Records and within the an identical 12 months he launched his fourth (and ultimately ultimate) album, Uma Tarde na Fruteira. It was re-issued in Brazil by Monstro Discos in 2008. In 2009 he launched the non-album single “Modern Kid”..

After his second departure from TNT, Basso began to hold out solo, beneath the moniker “Woody Apple” (as an homage to musician Woody Guthrie and report label Apple Records, primarily based by The Beatles). It wasn’t until 1995 when he adopted the stage title he turned effectively-identified for, Júpiter Maçã (with “Júpiter” being an allusion to the fictional spaceship Jupiter 2, from thought of considered one of his favorite TV sequence rising up, Lost in Space), and formed the very fast-lived mission Os Pereiras Azuiz alongside Ubirajara Guimarães, Rogério Campos and Luiz Wilfrido; they solely launched a demo tape, Orgasmo Legal, sooner than disbanding. In 1997 he signed with unbiased label Antídoto to launch his first solo full-measurement album, A Sétima Efervescência, which counted with customer appearances by his former Os Cascavelletes bandmates Frank Jorge and Alexandre Barea, and by Graforreia Xilarmônica guitarist Marcelo Birck; with a intently psychedelic and experimental sonority just like Pink Floyd’s 1967 debut The Piper on the Gates of Dawn, the album was critically acclaimed on the time of its launch and in 2007 was ranked 96th at Rolling Stone Brasil’ s report of 100 Greatest Brazilian Music Records. Its observe-up from 1999, Plastic Soda, bought right here out via Trama, and in distinction to its predecessor, it was completely sung in English; to copy this, Basso signed the album as Jupiter Apple. It was characterised by an increase throughout the experimental elements already present in A Sétima Efervescência, mixing psychedelic rock with bossa nova and jazz. Even though it moreover had reception, critics considered it a very onerous album to take heed to. After the album’s launch Basso shortly moved to England, returning to Brazil in 2002.

In 2006, six of Basso’s songs – “Um Lugar do Caralho”, “Querida Superhist x Mr. Frog”, “Canção para Dormir”, “The Freaking Alice (Hippie Under Groove)”, “As Mesmas Coisas” and “A Marchinha Psicótica de Dr. Soup” – had been included throughout the soundtrack of the animated film Wood & Stock: Sexo, Orégano e Rock’n’Roll, directed by Otto Guerra.